Showing posts with label free download. Show all posts
Showing posts with label free download. Show all posts
Wednesday, 15 August 2012
Lee Ranaldo Free Downloads and Streaming
A while ago, I think I posted the video for 'Off the Wall', Lee Ranaldo's new single. The former Sonic Youth 'super-cool' guitarist has released a show on good quality MP3 files, recorded live from New York recently. I downloaded it speculatively and after a couple of listens, immediately went out and bought the album - though in retrospect, while both are insanely good, the live show has captured the atmosphere perfectly, and so some of the tracks (particularly 'Hammer Blows') are enriched by the gig feel, and are possibly even better than the album versions. Have a look, it's free!
Saturday, 22 January 2011
What Makes Us Love Stealing Music?
Walking through a crowd of people a few weeks ago, my friend and I were discussing illegal downloading. "It is a crime!" she cried, far too loudly, and a couple of gatherings of people turned to eye us curiously. "You may not like it, but it's stealing, like going into a shop and taking a CD, but people don't care because there aren't the same consequences."
I nodded despondently. Faced with such an argument, it's very hard to disagree that illegal downloading is a bad thing. And for most of us, it isn't just about consequences: there is a moral framework in place in most of our minds which tells us stealing is wrong, according to principles of property ownership that we live by. So why does downloading music for free not feel particularly wrong?
Maybe it's because it counts to us among the many services that the internet offers: we can read The Guardian online without paying for a hard copy, same with most newspapers; we can watch music on Youtube, so what's the difference between that and having it on our hard drive? It's a blurry line, definitely. Especially when we go on to love the music, to listen to it all the time: we have a feeling of warmth towards the artist, and respect them, which feels like a kind of payment for the albums.
Then there's the idea that most of an artist's money comes from the gigs anyway. I'm sure it's true that they're one of the most profitable sections of a big band's income, but it would be wrong to think that this renders paying for albums and singles obsolete.
Of course, we also see bands like Radiohead distributing digital copies of their albums for free and we think, "see, it can't be that important for artists to get paid for MP3s!" But Radiohead have, as it stands, 259,682,938 plays on Last.fm - they're one of the most listened to bands in the world. The story is not the same for smaller artists.
"But I don't have the money," we whine. Or, "HMV doesn't stock it." "My iTunes is playing up!" "I can't be arsed to go out and get it." "Oh, I'll go and get it next week, after I've sampled it... by downloading it..."
We can all see from the shrinking music sections of what are, traditionally, CD shops, and the vast numbers of torrent and free MP3 sites that music isn't dying, it's just moved. It's not a shrinking business, it's just a failing one: what would happen if a huge free chocolate stall set up shop outside Thornton's? Music is getting freer, easier to access, and that's amazing - but in the end, it might just kill itself, because that band that sell half the number of albums they could have can't afford to make their next album. Reuben are a brilliant example - "dropped by their label 'cause they can't pay it back".
Reuben - 'Return of the Jedi'
"I'd like a job in which I'm able,
To put shoes on my feet, and food on my table,
Those nine-to-fivers, they look pretty stable,
But I get my wages from my record label."
One final aside: someone is benefitting from all this illegal downloading. The illegal downloading sites' owners, who get paid for advertising and some even for subscriptions. So, not only are you 'stealing', as my friend would insist, you're also funding criminals.
It would be great if music, as a source of joy and passion, could be free. But it isn't. And until then, the onus is on us to pay for it, or feel guilty - I think I can predict which one most of us will choose.
I nodded despondently. Faced with such an argument, it's very hard to disagree that illegal downloading is a bad thing. And for most of us, it isn't just about consequences: there is a moral framework in place in most of our minds which tells us stealing is wrong, according to principles of property ownership that we live by. So why does downloading music for free not feel particularly wrong?
Maybe it's because it counts to us among the many services that the internet offers: we can read The Guardian online without paying for a hard copy, same with most newspapers; we can watch music on Youtube, so what's the difference between that and having it on our hard drive? It's a blurry line, definitely. Especially when we go on to love the music, to listen to it all the time: we have a feeling of warmth towards the artist, and respect them, which feels like a kind of payment for the albums.
Then there's the idea that most of an artist's money comes from the gigs anyway. I'm sure it's true that they're one of the most profitable sections of a big band's income, but it would be wrong to think that this renders paying for albums and singles obsolete.
Of course, we also see bands like Radiohead distributing digital copies of their albums for free and we think, "see, it can't be that important for artists to get paid for MP3s!" But Radiohead have, as it stands, 259,682,938 plays on Last.fm - they're one of the most listened to bands in the world. The story is not the same for smaller artists.
"But I don't have the money," we whine. Or, "HMV doesn't stock it." "My iTunes is playing up!" "I can't be arsed to go out and get it." "Oh, I'll go and get it next week, after I've sampled it... by downloading it..."
We can all see from the shrinking music sections of what are, traditionally, CD shops, and the vast numbers of torrent and free MP3 sites that music isn't dying, it's just moved. It's not a shrinking business, it's just a failing one: what would happen if a huge free chocolate stall set up shop outside Thornton's? Music is getting freer, easier to access, and that's amazing - but in the end, it might just kill itself, because that band that sell half the number of albums they could have can't afford to make their next album. Reuben are a brilliant example - "dropped by their label 'cause they can't pay it back".
"I'd like a job in which I'm able,
To put shoes on my feet, and food on my table,
Those nine-to-fivers, they look pretty stable,
But I get my wages from my record label."
One final aside: someone is benefitting from all this illegal downloading. The illegal downloading sites' owners, who get paid for advertising and some even for subscriptions. So, not only are you 'stealing', as my friend would insist, you're also funding criminals.
It would be great if music, as a source of joy and passion, could be free. But it isn't. And until then, the onus is on us to pay for it, or feel guilty - I think I can predict which one most of us will choose.
Sunday, 23 August 2009
Other Language Music
I don't listen to a huge amount of overseas music, mainly because I only speak other languages poorly, but I do have recommendations if you feel like branching out.
The first is a band gained from my mother, a German punk band called Ton Steine Scherben. Their message was decidedly anti-establishment, and if you speak German or fancy a day on Google translator, you can hear a million and one topical references of the time. I haven't translated every song, but I still enjoy them for their punk energy and the different sound of German vocals.
The Tropicália movement stands out next. Originating in South America, it was a 1960s Latin/Rock fusion movement, as well as an Art movement, again very against the dictatorial governments of the time. It's exciting because it was so disallowed, so new and fresh. Virtuoso musicians play Beatles-and-Stones-esque rock over Latin beats, with some really poetic Portugese lyrics (they even sound poetic.) Probably my favourite of the artists is Caetano Veloso: his music just stands out to me as the best, and he also sings in English from time to time.
A more recent one now: Louise Attaque. They're a French folk/rock band who write lovely little ditties. I like their late nineties music particularly, eespecially the wonderful track J't'emmène au Vent. The lyrics of that are repetitive enough to pick up as well.
Lastly, I'm going to give you a free download. I don't think Drew McConnell would mind so much - it's a testament to his brilliant Spanish. This is Helsinki - Lagrimas de Oro (Golden Tears), live. Love it.
The first is a band gained from my mother, a German punk band called Ton Steine Scherben. Their message was decidedly anti-establishment, and if you speak German or fancy a day on Google translator, you can hear a million and one topical references of the time. I haven't translated every song, but I still enjoy them for their punk energy and the different sound of German vocals.
The Tropicália movement stands out next. Originating in South America, it was a 1960s Latin/Rock fusion movement, as well as an Art movement, again very against the dictatorial governments of the time. It's exciting because it was so disallowed, so new and fresh. Virtuoso musicians play Beatles-and-Stones-esque rock over Latin beats, with some really poetic Portugese lyrics (they even sound poetic.) Probably my favourite of the artists is Caetano Veloso: his music just stands out to me as the best, and he also sings in English from time to time.
A more recent one now: Louise Attaque. They're a French folk/rock band who write lovely little ditties. I like their late nineties music particularly, eespecially the wonderful track J't'emmène au Vent. The lyrics of that are repetitive enough to pick up as well.
Lastly, I'm going to give you a free download. I don't think Drew McConnell would mind so much - it's a testament to his brilliant Spanish. This is Helsinki - Lagrimas de Oro (Golden Tears), live. Love it.
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